I didn't really have the entire high school experience. I've been working since I was six years old, so I didn't go to the classic high school.

If we replaced guns with guitars, then the world would be a concert

Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.

Compromise is the key element. The more constraints you have, the more compromise you have to have. But, I personally believe that, when that happens, you have to get more creative, and you end up with something that is even better.

Everyone is a little bit more close-knit and you rely on people a little bit more. The bigger the budget gets, the more everyone toes the line in their department.

Whenever I'm doing any film, I'm always just happy to have a job and I always just put 110% of myself into it.

Scheduling is always tough, no matter what the budget size is, and we had our own run-ins with that, on 'Fading of the Cries.'