I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.

Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.

Don't write something that is your passion project because all it will do is get the passion stomped out of you.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

The more people's money you take to do something, the more inputs you get.

If you just want to be a writer, I don't care, for pitching, for writing dialogue, you should take an improvisation class. It's super important.

Being a working person who works for the studios. It's a minefield and there's tons of stuff you need to know. And people mess it up all the time.