I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.

Waiting for opportunities in the entertainment industry is an impossibility; they are not coming. You have to make your own.

That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years.

If you just want to be a writer, I don't care, for pitching, for writing dialogue, you should take an improvisation class. It's super important.

Yes, I am complimented on my work in Kids in the Hall once or twice a week. Its a nice feeling.

The only guaranteed way to make something not very funny is to make it vague.

When you do a movie in the studio system, there's a committee. A committee of six or seven people you answer to. There's two or three producers, a studio executive and one or two people above that studio executive.