The level of acting that I bring to films in three dimensions. I hope they make people sign some kind of waiver because if their mind explodes from my acting in 3D, it's not my fault.

I guess I considered myself just sort of a sketch comedian, you know? Actual screenwriting hadn't really occurred to me as a viable job - I didn't really know anything about it.

I need to be spontaneous sometimes. Sometimes I find that the little detail or nuance that you add to it that's based on what's happening at the time that's not very rehearsed often ends up feeling like the funniest thing.

I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.

If you're a studio writer, the funny better be on the page.

Yes, I am complimented on my work in Kids in the Hall once or twice a week. Its a nice feeling.

People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.