The more people's money you take to do something, the more inputs you get.

I'm always doing what I can to look for and just feel out funny things that are happening in the scene and improvise off of them.

Writing studio movies is the best job in the world... it's awesome.

If you just want to be a writer, I don't care, for pitching, for writing dialogue, you should take an improvisation class. It's super important.

The only guaranteed way to make something not very funny is to make it vague.

I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.

Waiting for opportunities in the entertainment industry is an impossibility; they are not coming. You have to make your own.