I need to be spontaneous sometimes. Sometimes I find that the little detail or nuance that you add to it that's based on what's happening at the time that's not very rehearsed often ends up feeling like the funniest thing.

I don't think you can teach someone how to come up with good characters or a story.

That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years.

The level of acting that I bring to films in three dimensions. I hope they make people sign some kind of waiver because if their mind explodes from my acting in 3D, it's not my fault.

I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.

People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.

Old School has humongous laughs all the way through it.