"You are so close." "To whom? Margravine, not even to himself. This place, this island: all his life he's done nothing but hop from island to island. Is that a reason? Does there have to be a reason? Shall he tell you: he works for no Whitehall, non conceivable unless, ha, ha, the network of white halls in his own brain: these featureless corridors he keeps swept and correct for occasional visiting agents."

Our history is an aggregate of last moments

But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.

The Saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor than was a thrust at truth and a lie, depending where you were: inside, safe or outside, lost.

It is simply wrong to begin with a theme, symbol or other abstract unifying agent, and then try to force characters and events to conform to it.

Every weirdo in the world is on my wavelength.

Time is never wasted if you remember to bring along something to read.