I'm not the worlds biggest remake guy, meaning finding titles and saying, "Hey it's got some brand awareness, let's just make a movie."

We just believe in what we make and we're in a very fortunate position to be able to make stuff regardless of what model that follows.

I've been a film geek since I was a little kid and to start with an idea and then get a stack of papers with words on it called a script, then storyboarding the art, and you sit with these guys and now all the sudden it's a movie, and to see fans reactions to it when you put it out.

Godzilla it's not a remake, it's our chapter. I think what I'm most excited about is all the principles that we laid out in the beginning, I feel like we were able to hit on those things.

I don't want to talk about anybody else's movie, but I understand fan skepticism when you're like, "Oh yeah, a Godzilla movie." Which, by the way, our first movie was Batman Begins and was not dissimilar from questions and conversations from people about where the Batman franchise was, so I get it.

I also think that filmmakers understand, we don't have to make twenty movies a year, we make four to six.

I've got to say that when you're able to work with people like this, whether it's Gareth or Guillermo or Zack Snyder or Chris Nolan, it's a privilege to do this and I've never lost the awe, the awe factor of just going in and watching peoples reactions to what you've spent, in a lot of cases, years working on. That's a good way to put it, I love what I do and it's a privilege to do it.