I also think that filmmakers understand, we don't have to make twenty movies a year, we make four to six.

When you watch Monsters you understand that the effects he did on his laptop were in the hundreds of thousands of dollars, I was astounded.More than a few people said to me, "That's kind of a crazy thing to go from that level of film and then hand over Godzilla".

Godzilla it's not a remake, it's our chapter. I think what I'm most excited about is all the principles that we laid out in the beginning, I feel like we were able to hit on those things.

Whether it's Batman, Superman, Watchmen, the 300 story, we just make stuff that I want to see.

I also think that filmmakers understand, we don't have to make twenty movies a year, we make four to six.

We just believe in what we make and we're in a very fortunate position to be able to make stuff regardless of what model that follows.

I've got to say that when you're able to work with people like this, whether it's Gareth or Guillermo or Zack Snyder or Chris Nolan, it's a privilege to do this and I've never lost the awe, the awe factor of just going in and watching peoples reactions to what you've spent, in a lot of cases, years working on. That's a good way to put it, I love what I do and it's a privilege to do it.