If we seek for the simplest arrangement, which would enable it [the eye] to receive and discriminate the impressions of the different parts of the spectrum, we may suppose three distinct sensations only to be excited by the rays of the three principal pure colours, falling on any given point of the retina, the red, the green, and the violet; while the rays occupying the intermediate spaces are capable of producing mixed sensations, the yellow those which belong to the red and green, and the blue those which belong to the green and violet.

When I was a boy, I thought myself a man. Now that I am a man, I find myself a boy.

If we seek for the simplest arrangement, which would enable it [the eye] to receive and discriminate the impressions of the different parts of the spectrum, we may suppose three distinct sensations only to be excited by the rays of the three principal pure colours, falling on any given point of the retina, the red, the green, and the violet; while the rays occupying the intermediate spaces are capable of producing mixed sensations, the yellow those which belong to the red and green, and the blue those which belong to the green and violet.

But it will be found... that one universal law prevails in all these phenomena. Where two portions of the same light arrive in the eye by different routes, either exactly or very nearly in the same direction, the appearance or disappearance of various colours is determined by the greater or less difference in the lengths of the paths.

Suppose a number of equal waves of water to move upon the surface of a stagnant lake, with a certain constant velocity, and to enter a narrow channel leading out of the lake. Suppose then another similar cause to have excited another equal series of waves, which arrive at the same time, with the first. Neither series of waves will destroy the other, but their effects will be combined.

The experiments I am about to relate ... may be repeated with great ease, whenever the sun shines, and without any other apparatus than is at hand to every one.

The nature of light is a subject of no material importance to the concerns of life or to the practice of the arts, but it is in many other respects extremely interesting.