Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.

I like a challenge. I need to feel passionate about something. If I'm not passionate about it, I can't stand it. It has to feel real. DJ'ing, touring, charity work - anything.

I heard 'Get Lucky'; it's just not my taste. It's great what Daft Punk does and the sound quality is great, but that whole disco vibe is not really my thing.

I spend a lot of time talking to young and emerging producers on Twitter, feeding back thoughts and encouraging them.

I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.

It will be great to have a fashion career during and after my DJ career.

A 'Magik' session is a journey through different stages of emotions and the 'Search for Sunrise' is more chilling music for when you come home after a party or when you are just about to go to one.