Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.

At the end of the '90s and into 2000, electronic music was still an underground phenomenon, especially in America.

I think trance music is the only music you can listen to without taking drugs. You can really feel the emotions in it. You can get on another level without the drugs. If you listen to techno, it's so monotone that you really need drugs to enjoy it.

It [our best show] was this year, the 7th of January in Eilat, Israel; 6,000 people in the desert going absolutely mad!

I love L.A., but I don't live there. I spent some time there when I was recording 'Kaleidoscope,' mainly working with some of the artists I collaborated with. The city and people in L.A. have a great vibe and the weather is always beautiful.

I started off just trying to make a wish list for myself. I wanted to work with people I really admire myself. I wanted to work with other artists from other scenes so they could make my songs improve in a different way - people who have artistically different things to say.

I got involved in 2003, 2004, with a company called Dance4Life out of Holland.