I love L.A., but I don't live there. I spent some time there when I was recording 'Kaleidoscope,' mainly working with some of the artists I collaborated with. The city and people in L.A. have a great vibe and the weather is always beautiful.

I integrate music from all over the world in my sets, harmony is what my music and life are built upon.

I started off just trying to make a wish list for myself. I wanted to work with people I really admire myself. I wanted to work with other artists from other scenes so they could make my songs improve in a different way - people who have artistically different things to say.

I heard 'Get Lucky'; it's just not my taste. It's great what Daft Punk does and the sound quality is great, but that whole disco vibe is not really my thing.

Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.

You have to be open-minded, because it's so diverse nowadays. I used to be a deep trance DJ, and now I've transformed into something eclectic. So you can expect any kind of music, from house to electro to indie-rock to techno and trance. I have very wide musical tastes nowadays.

I listen to all kinds of music, but I really like deep house.