I know that if I ever have the audacity to blame fate or God for holding a gun to my temple, I also have the wherewithal to remind myself that if I end up with a hole in my head, I was the one who pulled the trigger.

Personally, I don’t like inherently happy people. I don’t trust them. I think there’s something seriously wrong with anyone who isn’t at least a little let down by the world.

Break my heart? Is that what you just said? I have news for you; you didn't break my heart. My heart's fine. My heart's in the best shape of its life. You know what you did to me? You took an AK-47 and blew my soul open.

Talent? That's not talent. Talent is Liza Minnelli tap dancing and singing at the same time. What I just saw was devastation. Dying man on the cross. Salvation in B minor.

There are things we never tell anyone. We want to but we can't. So we write them down. Or we paint them. Or we sing about them. It's our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it's time to throw in the towel.

Lying next to Eliza, I had the feeling I had I'd just found something I didn't even know I'd lost.

The music defied classification. If I had been writing a review of the show, I would have labeled it progressive, guitar-driven rock ’n’ roll. But the guitars made sounds guitars didn’t always make. Symphonic sounds. Sacred sounds. The music dug in so deep you didn’t hear it so much as feel it, reminding me of a dream I used to have when I was a kid, where I would be standing on a street corner, I would jump into the air, flap my arms, and soar up into the sky. That’s the only way I could describe the music. It was the sonic equivalent of flight.