In his eyes I saw all the other possibilities. The dream-world possibilities. The fairytale possibilities. The seemingly impossible possibilities.

That's why you have to save the dying man. Because you want him around to keep saving you.

You know what I was thinking about on my way home? How different my life would be if you’d made that gash a little deeper. Or how different yours would be if I’d vaulted myself off a roof nine years ago. Do you ever think about things like that? Like, if either you or I wouldn’t have made it, where would the other one be right now? It was something I thought about all the time: how death changes every remaining moment for those still living.

We grew apart. The thing is, we loved each other, and on some level we always will, but when you’re twenty-three and you fall in love, you tend to think that love will supercede any problems. Realizing that no matter how much you love somebody, no matter how desperately you want a relationship to work, life can act as an oxidizer and corrode it to pieces.

I just happen to comprehend the low standards of the majority of the music-buying public, and I don’t care how condescending that sounds, it’s true. They always go for the shiny gimmicks. Always.

It’s easy to plant a seed and sprinkle it with water, but once the sun scorches the ground, and the earth soaks up all the moisture, you’re left with nothing but a thirsty little flower trying desperately to make it out of the dirt.

Committing suicide so as not to be murdered is the worst reason I've ever heard of to die.