I'd never seen that look on another face before, had never identified it in another person. I'd only met with it in fiction. But everyone falls in love with Holden Caulfield when they're sixteen. They read Catcher in the Rye and don't feel so alone.

Sometimes I would open my eyes when we were kissing, I would watch him and I could see it. I could actually see LOVE - not words, not an emotion, not an abstract concept or a subjective state of mind, but a living, breathing thing.

I would have remembered the good stuff. Nobody ever remembers the good stuff.

This is what it means to be in the middle of love, I thought. Being in the middle of love is like being in the middle of a war zone.

There's a big difference between being alone and being lonely. And I'm guessing that once you've discovered this distinction you can't go back to solitary confinement without serious emotional repercussions.

The music defied classification. If I had been writing a review of the show, I would have labeled it progressive, guitar-driven rock ’n’ roll. But the guitars made sounds guitars didn’t always make. Symphonic sounds. Sacred sounds. The music dug in so deep you didn’t hear it so much as feel it, reminding me of a dream I used to have when I was a kid, where I would be standing on a street corner, I would jump into the air, flap my arms, and soar up into the sky. That’s the only way I could describe the music. It was the sonic equivalent of flight.

Bottom line, Eliza— you’re my home and my family, and I don’t want to lose you. I could lose everything else, and as long as I still had you and a guitar I know I’d be all right. Do you get what I’m saying?