It was an amazing performer. Very temperamental, it spent a lot of time in its trailer.

In The Deep End, you have a woman who looks like a J. Crew mother who can manage it all. Then we begin to realize what's going on inside. Every time I see one of those women stuck at a stoplight with the children in the back of her car, I sort of think, "What have you just done? What's going on in your life?".

I think that a real film fan experience is about a kind of omnivorous experience.

One of the wonderful things that I've always loved as an art student, what I always loved about comics, was that they are interpreted differently by different graphic artists all the time, so now film is doing that thanks to Marvel Studios.

This film [Teknolust] in particular, showing the way in which having a sexual dialogue with someone can be something developing and changeable and maybe uncomfortable and complicated. Just complicated and human, no more and no less.

I'm interested in that whole question of where we wear our identity and how can we see it.

Even beyond sexuality, I'm generally interested in identity.