Don't worry about how you 'should' draw it. Just draw it the way you see it.

The Girl With Many Eyes One day in the park I had quite a surprise. I met a girl who had many eyes. She was really quite pretty (and also quite shocking!) and I noticed she had a mouth, so we ended up talking. We talked about flowers, and her poetry classes, and the problems she'd have if she ever wore glasses. It's great to know a girl who has so many eyes, but you really get wet when she breaks down and cries.

Nobody had his [Ed Wood's] style. That's something I try to do in my films. You have your own kind of cryptic messages in there - cryptic things that most people wouldn't understand but are important to you. Things that kind of keep you going through the process.

People told me I couldn't kill Nicholson, so I cast him in two roles and killed him off twice.

What I feel that "Alice in Wonderland" did for me and other people in exploring your dream state, and using fantasy in your dream state to deal with real issues and problems in your life. People like to separate those things but the fact is that they are things that are intertwined.

I always said that I'm not into mass-marketing things. If there's one thing that looks cool, that's fine by me. I'm not interested in a whole bunch of stuff.

Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.