Many people like to think that their moral or political enemies are not just wicked or wrong - as if that were not enough - but stupid or idiotic too. We tend to find this attitude too in the contemporary religion debate. It might console those on each side of the debate to think of their opponents in these terms, but if we want to make real progress in understanding what is going on here, this approach cannot help.

I do think that if you are trying to think empirically about the relationship between conscious experience and the underlying physical reality, wine provides an excellent practical example. Winemakers manipulate the chemicals they are dealing with in a way that is very sensitive to the kinds of effects it will have on the subjective experience of tasters - this is not an accident.

Many people like to think that their moral or political enemies are not just wicked or wrong - as if that were not enough - but stupid or idiotic too. We tend to find this attitude too in the contemporary religion debate. It might console those on each side of the debate to think of their opponents in these terms, but if we want to make real progress in understanding what is going on here, this approach cannot help.

I had abandoned Catholicism, but even during my short militant atheist period I maintained an interest in western religious art and music.

I do not claim to have any developed or sophisticated views in political philosophy, but I think that one of the lessons of the last few hundred years of history is that the greatest threat to human prosperity and well-being is fanaticism and intolerance, even in the name of apparently laudable goals.

I'm not a militant atheist, just an atheist. In fact, in a largely atheist country like the UK I think it's a bit silly to be a militant atheist.

Problems come and go over time, and to understand why is a difficult historical task. If one wanted to find the origin of a problem, historical research and close attention to texts is what is needed, not unconstrained speculation about the 'pictures' that philosophers must be in the grip of.