A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.

I'm attracted to the underrated characters.

Unease is not an emotion I get often in the theatre, and I like it.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.

The Author is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.

I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.

Theatre critics have no special access to the truth. And there should be no objective truth to art.