I'm attracted to the underrated characters.

The Author is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.

Unease is not an emotion I get often in the theatre, and I like it.

The Author is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.

Theatre critics have no special access to the truth. And there should be no objective truth to art.

I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.