Unease is not an emotion I get often in the theatre, and I like it.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.

A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.

Theatre critics have no special access to the truth. And there should be no objective truth to art.

I'm attracted to the underrated characters.

I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.

The Author is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.