Unease is not an emotion I get often in the theatre, and I like it.

I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.

A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.

I'm attracted to the underrated characters.

Unease is not an emotion I get often in the theatre, and I like it.

Theatre critics have no special access to the truth. And there should be no objective truth to art.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.