Unease is not an emotion I get often in the theatre, and I like it.

I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.

A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.

The Author is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.

Unease is not an emotion I get often in the theatre, and I like it.

The Author is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.