I wouldn't say I'm ego-less, but I'd say there's something uncomfortable about the presentation of one's self in the media. Any image sent out is permanently in the spin cycle. And there's a paralysis of that, the way your image is presented. I've always been hesitant, but I'm definitely not shy or anything.
Tim HeckerFor me it's the hypnotic simplistic reduction of hooks into some form of prayer wheel or something. I really appreciate people who can work in those quiet environments making really precious latticework like lace in a weaving but, for me, I like it a bit more hairy and like psychedelic Peruvian knits or something! You know what I mean? I go into fabric analogies, you know.
Tim HeckerSometimes it's a fraught, kind of laden world of performance that I think can be really dubious, but it's also super fun to almost desecrate an instrument that for 500 years has been associated with God.
Tim HeckerI'm really sensitive to the beginning of a motif or a phrase or something that's kind of the backbone or becomes kind of the spine that you grow muscle tissue onto. You know from that, if you have that good beginning, it's like everything that grows off it often has potential. Maybe I'm good at that early bit of recognition of pieces of potential. I'm not sure.
Tim HeckerYou can't be sure there's not a God, so why live your life in hatred or the denial of that. It's better to be open to the possibility of it. Just because the whole conceit of scientism... is that our world is explained by two atoms smashing, right? Our green planet came out of that. But I just don't buy where the original line comes back to, those two atoms. The explanations aren't fully in yet.
Tim HeckerThere's a limit of any form of representation; it's the same about writing about visual art. I still think it's useful for people to think through things in a deeper way, and use adjectives even if they're not sufficient, you know? I always find it interesting what terms they use to refer to the work. It's always different, and that's kind of intriguing. Sometimes it's clichรฉs, but often it's really creative ways of paraphrasing or reformatting what to mean seems something else. I like that, personally.
Tim HeckerI'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.
Tim Hecker