We, the comics that we like, we're all, like, post-humor.

There's a lot of dopes in life, and in film school. The interesting people are usually easy to find.

A good example of a lyric that makes me laugh but might not hit anybody right away is, "Sit behind the guitar and play the chords," just because it's such a lame image. It's not rock'n'roll at all to be sitting behind a guitar.

I always liked records that didn't explain themselves too well - ones that you had to listen a few times.

When people come in to act on the show, we say, "Just be extremely dry and not funny. Let the idea be the joke." That holds true through a lot of our stuff.

When anything doesn't hit with a huge laugh, as comics, it feels like, Oh no, oh no, we're sinking.

Most books that come out with a comedy label seem to be, Eric [Wareheim] and I could have written, "This is our story, and this is who we are," and sort of this navel-gazing, narcissistic approach to comedy we're seeing these days.