We, the comics that we like, we're all, like, post-humor.

That kind of language is what makes us laugh. Like, "Well, just eFax that to me, and I'll take a look at it."

Just because we can shoot something that looks like a movie doesn't mean we should. Sometimes if something looks too good, it's not funny. Some things need to look good, because we think it's funny that you'd spend so much time and be so precious about such a stupid idea.

I always liked records that didn't explain themselves too well - ones that you had to listen a few times.

When you get older your dad becomes this other man rather than a scary man, and you have a friendship.

When people come in to act on the show, we say, "Just be extremely dry and not funny. Let the idea be the joke." That holds true through a lot of our stuff.

The thing that struck me is so many people that said, "Hey, I've been watching you since I was 12, and I'm 25 now." It was a weird shift, because you start off fighting for an audience based on doing something so strange that only you find funny, and it's weird when other people find it funny. Those people aren't always ready to laugh yet, and there's a sort of standoffish quality to it.