When anything doesn't hit with a huge laugh, as comics, it feels like, Oh no, oh no, we're sinking.

That kind of language is what makes us laugh. Like, "Well, just eFax that to me, and I'll take a look at it."

Most books that come out with a comedy label seem to be, Eric [Wareheim] and I could have written, "This is our story, and this is who we are," and sort of this navel-gazing, narcissistic approach to comedy we're seeing these days.

We use all the takes that no one would ever use and often the moments before we say action, or before we say cut. No one's ever called and complained or anything like that. Everyone's just so grateful to get the work and to be on TV and all that.

We, the comics that we like, we're all, like, post-humor.

There's a lot of dopes in life, and in film school. The interesting people are usually easy to find.

My dad is a very quick-witted, sarcastic, dry, humorous guy, whereas my mom's very silly, and that side of the family is very musical.