Fate knows all about you, it knows your fears and your weaknesses and your confidences and strengths, and it can be ready for all of them when it decides that the time is right. It can move you like a pawn in a terrible game of chess, sacrifice you for the good of others, drop you from a building you should never have been inside, give you a disease that no one has ever heard of. Luck and chance are impartial. Fate is active. It picks on people. Almost as if it thinks about things too much.

The future and the past are equally meaningless because they are nebulous entities, times that do not exist, containing events which have no echo because they are gone, or which hold no import because they are yet to happen. What is important is the here and now, and now, and now, and the spaces between the nows.

Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.

The reaction to death is sometimes as violent as death itself. Shock throws a cautious coolness over your senses, but your stomach still has knots, your skin stings as if the Reaper is glaring at you as well.

Any writer takes inspiration from what they read and watch, and over their career works on forming their own voice. I think it was probably Stephen King who made me want to become a writer.

Between a gasp and a sigh, a life can change forever.

Voyaging great distances -- through forests, from island to island, across plains and into the mountains -- is all about finding ourselves.