There's no denying that the way horror has been packaged in the past has done it no favours. Lurid black covers adorned with skulls, corpses crawling with insects and scantily clad maidens being chewed into by vampires -- all good clean fun, but it doesn't do much to give the genre an air of respectability or seriousness to the casual browser.

Voyaging great distances -- through forests, from island to island, across plains and into the mountains -- is all about finding ourselves.

Between a gasp and a sigh, a life can change forever.

The reaction to death is sometimes as violent as death itself. Shock throws a cautious coolness over your senses, but your stomach still has knots, your skin stings as if the Reaper is glaring at you as well.

Love is harsh, and it consumes. And more than anything, it demands sacrifice.

Dreams are life, real life, not simply reflections. Dreams are honest.

The future and the past are equally meaningless because they are nebulous entities, times that do not exist, containing events which have no echo because they are gone, or which hold no import because they are yet to happen. What is important is the here and now, and now, and now, and the spaces between the nows.