It's the kind of sage wisdom coming from a guy who was 25 at the time, but already had 20 years of experience. Kurt Russell is a wonderful actor and a great guy.

I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.

As a director, I know everybody's job, and I know how to do it. I can smell bullshit when someone's telling me it can't be done, because I've seen it done a hundred thousand times.

I think it's that if you don't have the visual, you have to infuse the full personality into the voice. Think of Daffy Duck. I mean, what the heck? I was playing around with the Daffy Duck voice today when I was coming back from driving my kid to school.

The funny thing about The West Wing is - and I don't know what Aaron Sorkin says about it - but I'm convinced it was a comedy. It's a very intellectual and cerebral comedy, but it was SportsNight in the White House. It had an energy and a vitality and an intelligence and a passion that's rare. And it was extremely difficult to do, because they were so demanding about the dialogue.

Sam Kinison was one of the most compulsive people I'd ever seen. James Belushi was that way, and Chris Farley was that way. He was incredibly talented and made me laugh so hard, and there was nothing he wouldn't say. Such a unique, amazing, cynical, realistic, but still optimistic look at life he had. It was great fun to get to know him.

I was just dying to get out of the constraints of television, and the constraints of the parts I'd been playing. I had taken a bunch of improv classes and was performing with The Groundlings. I wanted to get into more adult, risky stuff.