I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."

Life has its ups and downs, so to expect otherwise is setting yourself up for disappointment.

I think that idealism is always there in America. It's a spirit that's been subverted lately, and sold down the river to the contractors, what with the privatizing of all aspects of the government. It's so cold and cynical - all dollars and cents and parcel it up and sell it out and downgrade it and outsource it. They don't consider what it does to people. I think the spirit of this country is finally coming back, and hopefully it will triumph.

I always wanted to be an actor. I was one of those lucky kids - or cursed kids - who always knew what he wanted to do.

The great thing about theater is the doing it again and again and again.

Change is good, and ultimately, creating a new path at this point in my life is energizing, creative, and rejuvenating.

Steven's Spielberg is one of the most visually talented and character-oriented directors I've ever worked with. And I learn from him every time I watch one of his movies. Good or bad - and he has made some awful movies - they're never uninteresting. He's made four or five of the greatest movies of all time. Perfect movies, like E.T. or Schindler's List or Saving Private Ryan.