We wanted to make Tucker's Witch just more human and playful, because I don't think we see enough playfulness between characters on TV. It's like, "Who really gives a damn about two detectives on a case?" The sillier we went, the better it worked.

I'll never forget John Heard doing Shakespeare In The Park with Raul Julia and Richard Dreyfuss. It was 30 years ago, I guess. It was Othello, and John Heard played Cassio, and while everyone else was "Acting!" Heard came on talking normal, and everyone in the audience was leaning in to follow him. I wasn't doing that in Bus Stop. I think in that performance, I was putting it out a little too much.

It started with Ronald Reagan, when he took away the financing to the California universities. It used to be cheap to send your kids to the UCs. They'd call it an investment, because the more you educate people, the more they'll pay in taxes, because they'll get better jobs. But Reagan said, "No, it's a cost, so you're going to have to pay the cost." So now people can't afford to get an education. Anyway, I don't want to get too political, but yeah, I think the spirit of this country is finally coming back, and hopefully it will triumph.

I'd come up with one leg in theater, but never my first leg. I loved the camera too much.

I learned a hell of a lot from my co-star, Kurt Russell. He's one of my closest friends and was one of my best teachers. He was the pro. He approached it like a baseball player. Acting is a contact sport to him.

I love JFK. My mother had been a worker on his campaign and adored him.

The core of Animal House was about prejudice, about equality, and about inclusion/exclusion. It was about a group of people who were together and anything went. Anybody who wanted in could get it in. Then there was that other group that nobody could get in, unless they were white, and just alike. It was very representative of the culture in the '60s, '50s, and '40s in America.