We wanted to make Tucker's Witch just more human and playful, because I don't think we see enough playfulness between characters on TV. It's like, "Who really gives a damn about two detectives on a case?" The sillier we went, the better it worked.

Going through a divorce after twenty-five years of marriage was the most difficult time for me. It was challenging to reorient my life from being centered around family, a family home, and a long-term relationship.

Change is good, and ultimately, creating a new path at this point in my life is energizing, creative, and rejuvenating.

Funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny. I think it's that if you don't have the visual, you have to infuse the full personality into the voice.

I allow myself to have my feelings of disappointment and discouragement, but never to sit and wallow in them. I meditate on positive energy, goals, and long-term happiness. Life has its ups and downs, so to expect otherwise is setting yourself up for disappointment.

Tucker's Witch was the first television I'd done in a while. It was just before Moonlighting, and just before you could get a little more outrageous on TV. We had a great premise.

I used to take acting so seriously, but after we did the Quest pilot and the show sold, Kurt Russel said, "You know, you work too hard. You'll make yourself sick. You can't work that hard doing a series, because it goes on so long. It's like a baseball season. You've got 162 games. You can't just go all-out the first week or two. You can't maintain that pace." And it's true.