When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.

I miss my family, and I like being a tourist when I go back.

I have a bad time between jobs because I'm always convinced I'll never work again. I think it may be an English thing, this fear of unemployment.

When you know youre whoring it hurts. I have kids. I'm not going to run down an actor for doing this.

There is less pressure as a character actor. It generally means that you will be acting for all of your life, which is my intention. It is not my intention to just be a rich and famous person, that would be pretty boring.

A good part of why I never went back to England was part of that, I didn't want to be in those sort of flowery films. But I think it's a nice change of pace-I don't know how long it'll go for. There will always be the Merchant-Ivory/Kenneth Branagh movies, but there's something else now-really, it's always been there but the Americans getting to see it makes all the difference.

I love the idea of messing around with different mediums.