I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.

I'm definitely not afraid to be wrong.

I don't want to make a movie for 100,000 fans that nobody else in the world sees, because I don't think that's good for the character.

I buy my Avengers tickets. But I think people are going to really get into seeing this other side of the world.

To be on set every day with a whole bunch of people that know their job and my job a lot better than I do and I'm supposed to tell them what to do, that's very uncomfortable and awkward.

I think people moving through space and the way they say lines, it's a puzzle to be solved every time. But there's a right way to do it that feels natural. And it's just kind of finding that right thing.

Prada makes really nice bags and then somebody in China makes knockoffs. This is the knockoff version of the mutant world. You have Weapon X. you have government spending millions of dollars to make it, and then you have these guys who are making thugs out of people that they pull off the street, or who are damaged, or who have found themselves in terrible positions for some reason.