As a first time director it's interesting, but not all that different from what I did before. A lot of parts of this job seem to be very similar to running a big company.

Peter Parker has superpowers, but he still has trouble making rent every month. I identify with that in a way that I don't with, like, Superman, for instance. He's just less interesting because he's too perfect.

I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.

Once you get cocky that's when you start to, A, turn into an asshole to everybody and, B, make mistakes because you stop listening to people or they stop telling you because you're a cocky asshole. So I'm going to try and eat my humble pie every morning for breakfast and just hope that it turns out OK.

I'm friends with [David] Fincher. [James] Cameron gives me advice. I know a fair amount of directors who have been through it, and they all felt pretty confident that I would be fine when I got my shot. So their confidence made me feel confident.

I'm definitely not afraid to be wrong.

I'm not afraid to make decisions. One of my friends said... we were talking about movies. It's really just a series of decisions you make. They said, "Tim Miller: frequently wrong, but never in doubt." I don't know that I'm making the right ones, but I'm not afraid to make them. That keeps the train moving forward.