I think people moving through space and the way they say lines, it's a puzzle to be solved every time. But there's a right way to do it that feels natural. And it's just kind of finding that right thing.

I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.

Honestly, the most uncomfortable thing for me is my level of incompetence is uncomfortable.

I'm definitely not afraid to be wrong.

I got into comics on John Byrne's run of the X-Men and the Dark Phoenix Saga. I got in around X-Men 95, right when it turned to the new X-Men. So that whole family, all those characters are kind of my favorite characters, just the X-Men world.

There's a little burst of creativity being director followed by lots and lots of meetings and talking to people and more meetings. It's scary. And I can't believe anybody actually lets me do it. But it's going well so far.

There's the larger shiny Marvel universe where everybody has new gear and it's all made of chrome and leather. And then there's Deadpool. I think the world that he explores is a much seedier, everyday sort of ordinary type world. But he still lives in that universe. It still has to sit next to all these other films.