I think actors, they maybe want more approval than I'm used to giving. Everybody does. Everybody needs a hug you know, all the time. I'm not very good at that. I could get better at that.

I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.

You can resent your bald spot or be glad you have a head

I got into comics on John Byrne's run of the X-Men and the Dark Phoenix Saga. I got in around X-Men 95, right when it turned to the new X-Men. So that whole family, all those characters are kind of my favorite characters, just the X-Men world.

I don't want to make a movie for 100,000 fans that nobody else in the world sees, because I don't think that's good for the character.

Peter Parker has superpowers, but he still has trouble making rent every month. I identify with that in a way that I don't with, like, Superman, for instance. He's just less interesting because he's too perfect.

Prada makes really nice bags and then somebody in China makes knockoffs. This is the knockoff version of the mutant world. You have Weapon X. you have government spending millions of dollars to make it, and then you have these guys who are making thugs out of people that they pull off the street, or who are damaged, or who have found themselves in terrible positions for some reason.