I think at this point in my life, I'd like to play more good guys than bad guys.

I think at this point in my life, I'd like to play more good guys than bad guys.

In my mind, I'm doing everything, but in reality, I'm doing very, very little. You come up with one idea, one moment, one line that leads to something and you feel like it's easy. And then, you sit back and think there would be no show without that.

It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?

I punch a lot of guys on set. It's much easier than in real life as your hands don't hurt afterwards. The key is that you miss.

The danger with success in television is "Haven't we shot this episode before? Didn't we shoot this scene two years ago?" I think it's really hard to just take the risk from season to season and not be afraid to give the audience something completely different, and trust that they'll come with you.

I've had lots of parts in movies that I've never seen. I mean no disrespect to them. It was really fun to go act, but I'm not calling my friends and saying, 'I couldn't be more proud of this picture. You should go see it.