Timothy Olyphant Quotes

You know, what a producer does is one of the great mysteries in life, so anyone can be one.

I've been working for a long time and I've just really been allowed to work, with very little of the baggage and the pressures that can come with my job.

Like any good parent you are trying to get the kid in a position where he is stronger and more powerful, and able to achieve things that you couldn't.

Um, accidents happen. Especially if there's a co-star that you're not that fond of - you might 'accidentally' deck him. But no, I'm a professional. I'm just saying that can happen.

There's not much to do in Atlanta, so the cast went to the gym together, went shopping together, and dinner was always a group thing. It's that whole summer-camp experience that making movies tends to be anyway.

I remember years ago being on the set of 'Dreamcatcher' and not only did I have such great admiration for Morgan Freeman and was just thrilled to be around him, I was struck by the fact that he seemed to be having perhaps more fun than I was at his job. And I thought, 'Well, that's very promising.

I've always sort of admired and respected one's ability to be comfortable with other people's discomfort or, you know, their being comfortable making other people uncomfortable.

People love to be scared. I guess it's a primal deal.

In my mind, I'm hilarious, so I would love to do some comedy. But, I'm not exactly sure my perspective is a healthy one.

Sharks will scare me. I went out to Malibu a couple of weeks ago. Beautiful, clear day, out in five feet of water, going to surf, and there was this big ol' freakin' leopard shark... I'm looking at him and I'm thinking, 'OK, he won't hurt me.

Honestly, I feel like I spent the last 10 years just trying to work, just get my hands on the best material I could. I'd like to say that it was quite calculated and genius, my ability to take one step forward and two steps back.

In my mind, I'm doing everything, but in reality, I'm doing very, very little. You come up with one idea, one moment, one line that leads to something and you feel like it's easy. And then, you sit back and think there would be no show without that.

Being an actor: that's a pretty big net. That's a big playing field. The Screen Actors' Guild is filled with many, many, many, many people and vastly different careers.

Sometimes in life if you wanna do something good, you gotta do something bad.

Sometimes, people aren't as consciously aware of their decisions as they should be.

It's easy to be quick on the draw when no one has got real bullets.

I'm not looking for answers when I show up to the set. I'm just asking the questions, over and over.

It's always fun to play cops and robbers.

Usually, in romantic comedies, you end up sacrificing a great deal of the complexity - you know, just two attractive people and a good soundtrack.

I didn't inherit any great success and the problems that came with it, and yet I was able to keep working and supporting myself and later a family. I'm crazy fortunate.

The basic thing a man should know is how to change a tyre and how to drive a tractor. Whatever that bearded dude is doing on the Dos Equis beer commercials sets the bar. That's your guy. Every man should be aiming to be like him. The beard is just the tip of the iceberg.

You're never quite sure, when you first get something if you really have a sense of what an opportunity it is.

I've had lots of parts in movies that I've never seen. I mean no disrespect to them. It was really fun to go act, but I'm not calling my friends and saying, 'I couldn't be more proud of this picture. You should go see it.

It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?

I punch a lot of guys on set. It's much easier than in real life as your hands don't hurt afterwards. The key is that you miss.

The danger with success in television is "Haven't we shot this episode before? Didn't we shoot this scene two years ago?" I think it's really hard to just take the risk from season to season and not be afraid to give the audience something completely different, and trust that they'll come with you.

As the saying goes, Bruce Jenner is a millionaire, and Mark Spitz is a dentist. It's the wrong sport.

My roles don't centre around drugs at all! Shadiness is different - it's drama. We're making movies! You've gotta have conflict.

As far as the leading man/romantic lead, I'll tell you what, I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.

On 'Justified,' we're driving all around Southern California trying to find a location that we can call Kentucky.

Kids on the set tend to be a pain, and if they're not, their parents are.

Larry Kasdan has made some of my favorite movies of all time so just to be working with him was a pleasure. Now that I have, I not only respect his work but I just love and respect him as a person.

It's changed throughout the years, but at one time I was a really big bubble gum ice cream fan. I'd spit the bubble gum pieces in a cup and then collect them.

If I were to direct an episode, then there would be no one for me to blame, and that's not any fun. It's more about sitting in the back seat and trying to drive.

I like my job. That's become very clear to me. I know how to pretend to do things that I otherwise didn't know how to do.

I think at this point in my life, I'd like to play more good guys than bad guys.

If Martin Scorsese calls, I am available. And then there the ones, well, you can just run down the list - any of those Oscar-nominated films, they have amazing directors across the board.

What am I going to wear to the Emmys? Something with a tie.

I'm attracted to roles that are unpredictable, and if I can get my hands on something like that, I'm thrilled. I like performances where you don't know what's coming, moment to moment.