It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?

In my mind, I'm doing everything, but in reality, I'm doing very, very little. You come up with one idea, one moment, one line that leads to something and you feel like it's easy. And then, you sit back and think there would be no show without that.

I like my job. That's become very clear to me. I know how to pretend to do things that I otherwise didn't know how to do.

I punch a lot of guys on set. It's much easier than in real life as your hands don't hurt afterwards. The key is that you miss.

It's easy to be quick on the draw when no one has got real bullets.

You know, what a producer does is one of the great mysteries in life, so anyone can be one.

I'm not looking for answers when I show up to the set. I'm just asking the questions, over and over.