I usually know when I take the picture. There's always some kind of un-self-conscious thing going on, so that it doesn't look like they're there for the sake of having their portrait taken.

I know now that before I take a picture I have to be sure about how I feel about the subjects. What I don't know is if I should explain to them what I'm doing while I'm photographing them.

I've always said that the Europeans subconsciously knew how to pose because of the culture or tradition of having your portrait made. They were surrounded by these portraits, and subconsciously they were already posing for them.

People aren't really looking at the result when taking a picture on an iPhone. And they don't print it. So to me, it's almost not a photograph. It's like looking in the mirror. It's a tool I don't relate to at all.

I usually know when I take the picture. There's always some kind of un-self-conscious thing going on, so that it doesn't look like they're there for the sake of having their portrait taken.

The idea of the portrait itself is my great love. The questions and answers in it can go on forever and ever. It is what happens in the eyes or with a tilt of the head. I keep going because it's too interesting to stop.

Color is very important in my work. That comes from style. My mother was a fashion model and an interior decorator, so that was me imitating her. My closest friend's mother was the same way, and her taste rubbed off on me, too. It's a domino effect of taste permeating through people.