Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.

No matter what happens to you in life, you just roll with it. And then, when we went back to shoot Eclipse, I went to Quileute and taught some acting to the kids, and just got to spend some time in the community, which was great because it gave me an idea of where Emily came from.

I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.

It's a juggling act. Every time I get going on the album stuff or being musical, acting kicks in and I book a job. It comes down to a money thing.

Chris was involved in that casting process. It was a different feel because New Moon was the first time that the Wolf Pack got together. With Eclipse, we were already established, so I didn't have that same bond or connection with David. It was very technical. He had a vision and an idea of what he wanted to do.

When you're actually feeling a character and you're going through the real emotions, and you're not fake acting, that energy stays with you and sometimes you can't get it off for days. It just resonates in your body, unless you have some sort of release, whatever it is.

I've always said that I want to play a neo-femme action star, and I kind of got to do that in this movie-of-the-week called "Wyvern," where I got to shoot a gun and be a little bad-ass, but I'd like to do that even further. I'm dorky myself. I'll play "Zelda" for 10 hours.