I think the paparazzi are absolutely ridiculous. When we were filming, there was a lot of them. It's different being in L.A., where there are so many celebrities. But, when it was in Vancouver, it was all about the film, so there was paparazzi following us. It's just part of the business.

Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.

It's bluesy, rocky jazz. I call it soul music, but it's not James Brown soul music. It comes from my soul. It comes from a deeper place. Duffy has that similar old school soul sound to herself. If I opened for Duffy, that would make sense to me, in my head.

I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.

I don't have paparazzi following me. Because I'm a human character, it's different. The vampires get a lot of attention, and then the werewolves, and then the humans. It hasn't really changed that much for me.

It was a realization for me when Oprah was talking about New Moon. I was like, "Oh, my god, she's watched a movie that I've been in!" People were like, "It just kicked in for you?," but it's just work for me. The idea that somebody that I've admired for so long had seen something that I'd done was when I understood the magnitude of it.

There are certain aspects of me that can be bad-ass sometimes, but being able to push it to the extreme is something I'd love to play. You don't get those roles, as a female, and especially as an indigenous female. There aren't those roles out there, so I want that. I want women to see a strong, sexy female without showing her body too much.