I think the paparazzi are absolutely ridiculous. When we were filming, there was a lot of them. It's different being in L.A., where there are so many celebrities. But, when it was in Vancouver, it was all about the film, so there was paparazzi following us. It's just part of the business.

I'm a goofball, so I think comedy is one of my stronger points, as an actor. I just never get to do it. But, I'm taking classes at Groundlings, where Will Ferrell and Lisa Kudrow studied, and it's all improv comedy. It feels good to be able to do that and be funny.

Whereas, if you have a longer scene, then you have momentum to build it up. I thought I sucked, but Chris Weitz is an actor, so he understands that process and that you can get nervous in it, and he can look beyond that. Or, it was just me and I was over-thinking the entire thing.

Most of the time, it just sat there in my body, until the weekend. After five or six takes of crying, your body does not want to cry anybody. Your body is like, "I'm over this, can we start laughing, or something?," but you have to keep the emotion. It's a really weird process and it definitely just stays with you.

I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.

I met this girl who had a huge scar on her leg from a car accident. She was talking about how, after it first happened, she would always wear long pants and cover it up. But, as she started to grow into it, she decided that that's just her now. It's just a part of who she is. She wears skirts and she shows it off now.

There are certain aspects of me that can be bad-ass sometimes, but being able to push it to the extreme is something I'd love to play. You don't get those roles, as a female, and especially as an indigenous female. There aren't those roles out there, so I want that. I want women to see a strong, sexy female without showing her body too much.