Whereas, if you have a longer scene, then you have momentum to build it up. I thought I sucked, but Chris Weitz is an actor, so he understands that process and that you can get nervous in it, and he can look beyond that. Or, it was just me and I was over-thinking the entire thing.

Chris was involved in that casting process. It was a different feel because New Moon was the first time that the Wolf Pack got together. With Eclipse, we were already established, so I didn't have that same bond or connection with David. It was very technical. He had a vision and an idea of what he wanted to do.

I've developed a way to separate myself from me being me, to me being the character. I can separate watching me, Tinsel Korey, from watching Emily

There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.

I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.

No matter what happens to you in life, you just roll with it. And then, when we went back to shoot Eclipse, I went to Quileute and taught some acting to the kids, and just got to spend some time in the community, which was great because it gave me an idea of where Emily came from.

Everyone was like, "You're life is going to change so much," but I don't think anybody recognizes me. Sometimes my friends will say, "Oh, that person recognized you," but I don't notice it. I don't even look at people when I walk because it weirds me out, if they're looking at me.