After the make-up process, I was like, "I never want to do a sci-fi movie where I'm in make-up for seven months." It's interesting. It was my first time ever getting prosthetics. They put this goopy stuff all over your head and they tell you it's like a facial, but it's actually very claustrophobic. All they have are these places where your nostrils are and I kept thinking that they were closing up, but they were like, "No, we're looking at it." So, they made a mold of my face.

Most of Emily's backstory is written out between New Moon and Eclipse. I'm reading them as we're shooting the films. I haven't read Breaking Dawn yet. It's just too crazy. There's too much going on that you need a map. I just try to focus on one movie at a time. When we were doing New Moon press, people were already asking about Eclipse. I didn't read it until I was ready to go, so that it was fresh and I wasn't jumbled with all this other stuff.

I've done choir since I was tiny, and I've always tried to get into plays. They all just meshed together. Now with my career, especially with music, people are like, "Which one do you pick?" I don't pick either. They're just different expressions of who I am.

Everyone was like, "You're life is going to change so much," but I don't think anybody recognizes me. Sometimes my friends will say, "Oh, that person recognized you," but I don't notice it. I don't even look at people when I walk because it weirds me out, if they're looking at me.

he first make-up crew had three test runs, so by the time we were shooting, they got it down to three hours. They switched make-up crews for Eclipse and they never had any test runs, and they had to figure out what the other team had done, so the first day, I was in the chair for eight hours. But, they adjusted the scar from New Moon to Eclipse. The first time, there was more pullage on my face, so I had a hard time eating. It didn't hurt, but it was uncomfortable.

But, yeah, it was just the regular audition process. There were a couple people telling me about it and that they were looking for the actors, but my manager is pretty good at sorting that out. And, (casting director) Rene Haynes cast me in Into the West, and she's always kept in touch and been a real big supporter of my career.

It's bluesy, rocky jazz. I call it soul music, but it's not James Brown soul music. It comes from my soul. It comes from a deeper place. Duffy has that similar old school soul sound to herself. If I opened for Duffy, that would make sense to me, in my head.