There's so many things I want to do. I want to work with great filmmakers, great actors, great scripts. And there's no reason for me to do anything short of that, because I'm 24, I don't have a family, I don't need to make tons of money, and I'm not dying to get famous.

You live for those really great scenes where you almost feel that the film has gone beyond what was printed on the script pages and been raised to another level.

There's so many things I want to do. I want to work with great filmmakers, great actors, great scripts. And there's no reason for me to do anything short of that, because I'm 24, I don't have a family, I don't need to make tons of money, and I'm not dying to get famous.

If you're sitting in the audience, you probably can't see the preparation and work that goes into creating a great scene or a great part, but I can assure you that a good film depends on lot of different things falling perfectly into place.

I think the greatest way to learn is to learn by someone's example.

I'm not into sugar for kids, but you don't want your kid to be the carrot kid. There's always the kid at the birthday parties carrying a bag of carrots. You've got to let them eat a little cake.

I have no illusions at all about being a sex symbol. None of my former girlfriends ever thought of me that way, and I don't have any packs of women chasing me down the street like a Brad Pitt or someone like that.