The fact is, though, what I think we really like is Marlon Brando, Al Pacino, Robert De Niro and James Gandolfini. We like what the media has created of the mob bosses in movies and TV and books, because it's something the average person never comes into contact with, it's almost as outwardly outlandish as a sexy vampire, and so we can romanticize it, it's non-threatening.

I don't really have any advice for people who love each other and both happen to be writers, other than one of the two people in the couple better be slightly less in the clouds all day, or else you'll both starve to death. Humans really can't survive on just coffee alone, I don't think.

Particularly with MFA students, who have so much invested - literally and figuratively - I feel like honest criticism is something they're owed. It's not going to be easier in the real world, surely.

I found myself thinking a lot about my own spirituality. What it means to be Jewish, what it means to forgive, what it means to sacrifice, but mostly what it means to be alive, how to be a better person, how not to make the mistakes my parents had made. I guess that's what one might typically call a midlife crisis.

It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.

So for a long time, I did a lot of freelance writing in addition to writing fiction and such - I was a food critic for a magazine for a bit, I did writing for nonprofits and political things, I was the editorial consultant for another magazine for a couple years, all sorts of jobs.

I think, generally, the flawed anti-hero is much more interesting than the normal hero, and that's really what we're talking about here as it relates to outlaws or renegades.