I was aware that I had to pay off things in a convincing emotional fashion, that I had to address the lingering plot points in some real tangible sense, and that I had to make this a self-contained novel, in case I'm run over by a bus tomorrow or in case there's no demand for anyone to ever see a sequel. (Two things that I hope don't happen, incidentally.)

I found myself thinking a lot about my own spirituality. What it means to be Jewish, what it means to forgive, what it means to sacrifice, but mostly what it means to be alive, how to be a better person, how not to make the mistakes my parents had made. I guess that's what one might typically call a midlife crisis.

I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.

I'm not Pollyanna - I know that my personality and my opinions and how I approach the teaching of writing maybe isn't exactly how it's done traditionally in the academy...wherever that academy is...but, you know, the academy is broken as it relates to many creative writing programs.

I think my philosophy has evolved over the years. I started teaching almost 15 years ago and I've learned that how one student learns is obviously much different than how another student learns and so I've had to figure out how to get through to people honestly without hurting their feelings - which is no easy task just in the scope of being a human being, much less in the classroom, but which is something that is more important to me now than it was when I was 30 - and to show them a path to improving.

We understand a person with problems, someone who is wrong about a lot of things in his or her life, who makes messes. We don't understand someone who is constantly right, who is only felled by Kryptonite. Chuck Klosterman had a pretty great book about this whole thing - I Wear The Black Hat - that came out last year and which I greatly enjoyed.

My god, people are selling their work and people are reading it! The horror! That MFA programs have to advertise that they'll let you write YA or fantasy or what-have-you is just absurd, but we do, because the presumption is that they're closed to that sort of thing. You're offering an MFA in creative writing? Teach people how to write well, worry about that part, let the writers come up with the stories.