I hope it's water under the bridge, but Richard Carpenter is a complicated individual, and he's also entitled to his own opinion on how his sister is depicted. The film has lived on and survived, and to me is ultimately is an affectionate celebration of Karen Carpenter. I hope that wins out in the end.
Todd HaynesI was about 6 or 7, I would have said I wanted to be an actor and an artist. And that just kind of kept honing itself around film and getting closer to film.
Todd HaynesI was 3 years old and Mary Poppins [1964] made an impression on me that was seismic, apparently. I fell into some kind of total creative, imaginative rapture over that movie that propelled this industry of Mary Poppins drawings, plays, performances - just an obsessive, creative reaction to it.
Todd HaynesI think when you're trying to get a film together that's had a long gustation process before I came on board and was trying to get financed in various stages, sometimes you're trying to make it more friendly to the financial interests or the commercial interests of various parties.
Todd HaynesFeminist theory has left an indelible mark on my own criticalโand creativeโthinking . . . For me, everything I questioned about what it meant to be a man โ and how much my sexuality would perpetually challenge those meaningsโcould be found in arguments posed by feminists. What can I say? I identified.
Todd Haynes