When you work on a movie or a TV show, you're a family, so if something that's a two-minute thing in the movie is causing a rift in the family, you also have to think about at what point do you fight this, and at what point is this rift worth having in this very small, very tight group of people who are just there to make something great and funny.

I just thinks it's interesting what it takes an actor to find their characters through the wardrobe, or the hair, or the way a character walks.

I feel like movies when they work they'll find an audience.

To me, the script is a living, breathing organism. Comedy is something that is ever-changing and ever-flowing with the vibe and the mood of the movie.

I remember that when I got to NYU, everyone was writing scripts. But I was 18 at the time, and when you write a script, so much of it is about what you pull from life, and this sounds sort of cheesy, but I felt like I didn't have enough life experience at that point to write a movie.

Not every movie has to serve as every audience member's need for completion.

I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior.