This is something particular to actors, especially in plays, and in films, too - but in plays, it's like, don't get involved with anyone in the play.

This is something particular to actors, especially in plays, and in films, too - but in plays, it's like, don't get involved with anyone in the play.

I'm not religious. I love what Clive James said the other day. James is a brilliant writer, but he keeps on writing poems on stuff. And he said, "God doesn't have a leg to stand on."

I don't want to peak too early. The worry is that you never know until it's all over whether you peaked at all - and then you're finished and it's too late.

My emotional investment started when I read the first scene of the actual drama [45 Years]. I can't explain it, there's no logic to it, but the notion of one's youth that somehow comes back but is gone, a man of my age connecting to that timing of life.

My occupation has been a great deal with David Foster Wallace, and he didn't manage it, and he was very much looking for something that isn't totally selfish, and finding meaning. It's a struggle.

The film business is absurd. Stars don't last very long. It's much more interesting to be a proper actor.