My emotional investment started when I read the first scene of the actual drama [45 Years]. I can't explain it, there's no logic to it, but the notion of one's youth that somehow comes back but is gone, a man of my age connecting to that timing of life.

There just doesn't seem to be a market for something with aspiration anymore.

The film business is absurd. Stars don't last very long. It's much more interesting to be a proper actor.

My occupation has been a great deal with David Foster Wallace, and he didn't manage it, and he was very much looking for something that isn't totally selfish, and finding meaning. It's a struggle.

I never did anything about my stardom, it never meant anything to me.

My emotional investment started when I read the first scene of the actual drama [45 Years]. I can't explain it, there's no logic to it, but the notion of one's youth that somehow comes back but is gone, a man of my age connecting to that timing of life.

This is something particular to actors, especially in plays, and in films, too - but in plays, it's like, don't get involved with anyone in the play.