When I'm promoting a film, I'm not going to get caught up in anything else, and that includes all my personal things.

Sex is great, if you are in a relationship. Otherwise, I find sex actually not so interesting. Without a relationship it is confusing.

As a kid, when I got to the edge of a cliff I wanted to jump off. I didn't want to kill myself. I wanted to fly.

Where do I get my seriousness? You can't help but grow up fast when your parents get divorced. You see your mother go to get food stamps and she's making fifty dollars too much to get them, with four kids to support.

I've learned to relax more. Everybody feels pressure in what they do, maybe mine is just a little different because there doesn't seem to be enough hours in the day to accomplish what I want to.

I also realise power is fleeting, it doesn't last forever in this career, so I want to make the most of it. I want to make the kinds of pictures that interest me, it's as simple as that. I've never done work for money ever. If your choices are based on grosses and the film doesn't do well, what does that mean? It leaves you with nothing.

I structure the scripts and work on them on films and work on scenes with writers and but I haven't written a script myself, I really respect what they do and I'm fortunate I get to work with people that I really enjoy working with and we all kind of spitball and work together on these things, but I haven't written a script yet.