I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.

First of all, I love women. But I lust after beautiful women in the way that I lust after a beautiful piece of sculpture - this will probably get me in trouble - or a beautiful car. I believe everyone's on a sliding scale of sexuality. There are moments where I am sexually attracted to women. But it doesn't overpower my first impulse; my lust for them is the same as my lust for beauty in all things.

I am actually extremely casual in certain environments. But one of the reasons I like living in London, I like the formality of it, as compared to the formality of America - or informality. I like putting on a suit. I like putting on a tie.

I'm a very serious person.

Style is very different from fashion. Once you find something that works, keep it.

Fashion is much more collaborative than one might think. You have to have an idea and vision and you have to communicate that vision to a team of people and you have to create an environment that allows those people to give the best that they can give.

I am a perfectionist. This job is a total ego thing in a way. To be a designer and say, 'This is the way they should dress; this is the way their homes should look; this is the way the world should be.' But then, that's the goal: world domination through style.